Home Entertainment VIDEO. The three moments that changed the life of Laurent Lafitte

VIDEO. The three moments that changed the life of Laurent Lafitte

His first time in the cinema

Discovering cinema was a decisive moment. My oldest memory of cinema is Bambi, I must have been 5 years old. I think it’s my first time going to the cinema and the film is very violent. I am afraid and at the same time, I am totally fascinated by these immense images which move and which provoke emotions. It really stuck with me, it was a bit traumatic for a while. But it is with hindsight, at the time, it is only emotion and sensation. But in retrospect, I realize that it was trauma, but not necessarily negative trauma. Anyway, something that was going to stay. I felt like this was where it was happening, that real life was fiction. So I was badly off.

Her first casting

In France Soir, there was an ad that they were looking for a teenager for a movie. This is the first time I have been testing. I was not an actor at all, I had no equipment, so I sent a small Photo Booth. I passed the tests and got caught. It was a TV movie with Michael Lonsdale and I had to get my parents to sign the authorization to be able to shoot. So I had to tell them that I wanted to shoot. At the time, I didn’t even dare to say it, it seemed so impossible to me, I was afraid that we would find it ridiculous or pretentious, I don’t know. I would never have dared to speak about it but there, I was obliged to say it.

His one-man-show

It was a seizure of power, a seizure of freedom. I had been an actor for a long time, I was 35 years old. I worked regularly, it was going quite well but I did not have real freedom of choice in my projects. I had a form of frustration, I had the impression that the roles that I landed and in which I was imagined were quite reductive compared to what I had in mind as a universe, as a sense of humor.

The first time I played it, the sketches were a bit too long, I hadn’t rehearsed too much, three quarters of the room was filled with friends. So it works well, but I was not sure that they were very objective. And afterwards, when I really started to play in a small 100-seat hall at the Petit Palais des Glaces, it was hard because no one knew me. People came because there were places at 5 euros on BilletRéduc, so I had eight people in the room and they did not understand what they were doing there. So at first it was hard but then it worked. But there was a month and a half, a month, where every night, you had to hang on.

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