Javed Akhtar recently spoke about the cultural ties between India and Pakistan, particularly in the context of the recent terrorist attack in Pahalgam, Kashmir. The attack, which killed 26 people, has once again brought the relationship between the two countries into focus.
The Current State of Cultural Exchange
Akhtar believes that, given the current tensions, it’s not feasible for Pakistani artists to work in India. He emphasized that India has always welcomed Pakistani artists with open arms, citing examples like Nusrat Fateh Ali Khan, Mehdi Hasan, Ghulam Ali, and Noorjahan. However, Pakistan has never reciprocated this warmth. Akhtar pointed out that even legendary singers like Lata Mangeshkar, who were extremely popular in Pakistan, were never given the opportunity to perform there due to bureaucratic hurdles.
- Nusrat Fateh Ali Khan
- Mehdi Hasan
- Ghulam Ali
- Noorjahan
- Lata Mangeshkar
Akhtar also highlighted the disparity in how the two countries treat each other’s artists. He recalled that when Faiz Ahmad Faiz visited India during Atal Bihari Vajpayee’s tenure, he was received like a head of state. In contrast, Pakistani authorities have consistently made it difficult for Indian artists to perform or gain recognition in Pakistan.
The Impact of Banning Pakistani Artists
Akhtar warned that banning Pakistani artists in India would only benefit the country’s military and extremist groups. These groups, he said, want to erect a barrier between the two nations, preventing Pakistanis from experiencing India’s culture and opportunities. When Pakistani artists work in India and speak positively about the country upon their return, it displeases these extremist elements.
The recent controversy surrounding Fawad Khan’s film Abir Gulal is a case in point. Scheduled for release on May 9, the film faced a potential ban following the Pahalgam terrorist attack on April 22. Akhtar refrained from commenting directly on the film, stating that the current environment is not conducive to discussing such matters. He stressed the need for a more favorable atmosphere to facilitate cultural exchange between the two countries.
Conclusion
Akhtar’s remarks underscore the complexities of India-Pakistan cultural relations. While India has been open to Pakistani artists, the lack of reciprocity and the current tense situation make it challenging for them to continue working in India. The situation with Abir Gulal highlights the broader issues at play, emphasizing the need for improved relations to foster cultural exchange.