‘Dance Moms’ Parody Musical Taps ‘Titanique’ Director Tye Blue for Theatrical Run

The viral internet sensation The Pyramid: An Unauthorized ‘Dance Moms’ Parody Musical just secured serious Off-Broadway firepower. Tye Blue, the director and co-creator of the smash-hit Titanique, has officially joined the creative team.

This signals a major escalation for a project that started on phones in 2023. Back then, it was just a clever internet concept. Today, producers Zachary Hausman and Olivia Ebner are actively steering the production toward a legitimate theatrical run, according to BroadwayWorld reporting.

If you spent the 2010s watching Lifetime reality television, the plot is exactly what you want. The show drops audiences straight into the chaotic first two seasons of Dance Moms. The farcical narrative is told primarily through the perspective of fan-favorite mother-daughter duo Christi and Chloe. They navigate the intense pressures of competitive youth dance and the notoriously strict rule of instructor Abby Lee Miller.

But the core of the show remains its original pop and musical theatre-influenced score by James Stryska and Isabel Grace. The comedy duo Erica Molfetto and Molly Russo wrote the book.

The music already proved itself online. The project racked up over 25 million views on TikTok before ever selling a physical ticket. Concept singles like “My Little Kendall,” “Welcome to the Candy Apples,” and “Dance Mom” generated hundreds of thousands of streams across Spotify and Apple Music, capitalizing on viral TikTok success to build an organic fanbase.

Following that digital explosion, the developmental phase shifted offline. The team mounted live concert performances at New York venues like The Green Room 42 and 54 Below.

Adding Blue to the mix is a calculated industry play. Titanique became one of the most financially successful and culturally pervasive Off-Broadway parodies of the decade. By tapping its director, The Pyramid aims to replicate that exact transition. They are looking to turn a viral, campy internet obsession into a bankable New York theater staple.

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