The Netflix series ‘Nadie nos vio partir’ has captivated audiences with its emotional and mysterious plot. Based on the true story of writer Tamara Trottner, the show is set in the 1960s.
Its compelling narrative is matched by the impressive real-world locations featured. The production team traveled from Mexico to Europe and Africa. They sought settings that visually connected with the era’s high society and the characters’ international journey.
Mexican actress Tessa Ía stars as Valeria Goldberg. She portrays a desperate mother searching for her children, who were taken by her husband, Leo Saltzman, played by Emiliano Zurita. This relentless search drives her across various locales. She also confronts a legal and social system that historically minimized mothers’ rights.
Mexico City served as a primary filming location. The story originates in its affluent districts. Areas like Bosques de las Lomas, Coyoacán, and San Ángel were chosen. They retain the elegant, traditional architecture fitting the wealthy families central to Valeria Goldberg’s drama.
Additionally, several interior sets were built from scratch. These recreated mid-20th-century mansions and elite spaces with precision.
The production also moved to Bressanone, a small town in northern Italy’s Bolzano province. Its picturesque, serene alpine landscapes were crucial. They visually represent the children’s exile after their father took them. This location was selected for its ability to convey remoteness, beauty, and disconnection from the protagonist’s world. Bressanone is also a popular ski center where both Italian and German are spoken.
To further emphasize the themes of escape and distance, parts of the series were filmed in France and South Africa. These locations were vital. They helped recreate the feeling of displacement experienced by the Goldberg children, Isaac and Tamara. They were forced to live between different cultures and unfamiliar lands as their mother searched relentlessly.
Director Samuel Kichi praised the South African crews. He described them as “well-oiled and adventurous.” This meant that even without the entire cast and crew present, the work was not complicated. South Africa also offered economic benefits. The country has tax incentives for audiovisual productions, which return funds to projects filmed there. Kichi noted that while Jalisco in Mexico offers some incentives, more are needed. He expressed a desire to film more in his home country.
Every location for ‘Nadie nos vio partir’ was chosen with careful consideration. The aim was to authentically preserve the real events. These decisions were strategic, using environments to give the audience a truly identical rather than merely referential image.